Funny-Ass Thoreau Featured on Lit Hub

Coinciding with the release of our newest title Funny-Ass Thoreau, edited by Atelier26 publisher M. Allen Cunningham, Lit Hub is featuring Cunningham's full introduction to the book.

Here's a snippet:
When I was fourteen my mother, exasperated by the onset of my teenage angst, handed me a Penguin paperback of Thoreau’s Walden and said, “Read this. The guy who wrote it was a rebel like you.” For some reason, I did as she suggested, and in Walden’s transcendental rants I found all my angsty teenage convictions gloriously and authoritatively ratified. Institutions were bad: they wanted to straitjacket my thoughts and crush my creativity; my elders were either corrupt or absent-mindedly hypocritical, either tyrannical or brainwashed, tragic or just pitiful; the dictates of fashion and good form were stifling and almost always ridiculous; money was a golden calf, prosperity overrated, and “making a good living” was a fool’s errand; as for our so-called government, it was just one big immoral business. 
...For me, Thoreau’s writing was a drug. It knocked my neurons around. It worked me over completely, induced a sort of insanity, and actually changed the course of my life forever. And still, until quite recently, I did not get the jokes. Had you taken the pains to point out to me, at fourteen, the extent of the levity that permeates Walden and much of Thoreau’s writing, I might have punched you in the nose. ...
Visit Lit Hub to read the rest
And get your copy of Funny-Ass Thoreau right here, or ask for it at your neighborhood bookseller.

Bibliomancy (Nov. 9th, 2016 Edition): Resistance by Barry Lopez

Bibliomancy collects insights and observations about the reading/writing life and life in the arts generally, words that could aptly describe the reasons Atelier26 exists.

"... Now we believe that without love our homeland -- perhaps all countries -- will perish. Over the years, as we have learned what it might mean to love, we have generally agreed that we've better understood the risks. In our nation, it is acceptable to resent love as an interference with personal liberty, as a ruse the emotions employ before the battlements of reason. It is the abused in our country who now most weirdly profess love. For the ordinary person, love is increasingly elusive, imagined as a strategy.

We reject the assertion, promoted today by success-mongering bull terriers in business, in government, in religion, that humans are goal-seeking animals. We believe they are creatures in search of proportion in life, a pattern of grace. It is balance and beauty we believe people want, not triumph. The stories the earth's people adhere to with greatest faith -- the dances that topple fearful walls; ethereal performances of light, color, and music; the enduring musics themselves -- are well patterned. And these templates for the maintenance of vision, repeated continuously in wildly different idioms, from the eras of Lascaux and Shanidar to the days of the Prado and Butoh, these patterns from the artesian wells of artistic impulse, do not require updating. They require only repetition. Repetition because, just as murder and infidelity are within us, so, too, is forgetfulness. We forget what we want to mean. To achieve progress, we've all but cut our heads off."


from Resistance by Barry Lopez (read the complete text on Lopez's site HERE)

See also: "Lionel Trilling on Posterity As Inspiration"

Atelier26 Books Receives Grant from the Oregon Community Foundation

FOR IMMEDIATE RELEASE: November 7, 2016

Atelier26 Books is proud to announce that it is the recipient of a $2,000 Small Arts & Culture Grant from The Oregon Community Foundation. The grant will support the publication of a new work of literature slated for release in 2017.

“This material support from the Oregon Community Foundation is extremely meaningful,“ said Publisher M. Allen Cunningham. “One of my core beliefs about publishing is that quality books are far more than consumable goods, and shared reading experiences can foster community and cultural vitality. It is thanks to grants like this and generous donations from readers that Atelier26 is able to bring unconventionally beautiful and resonant works to the public. I hope that our recognition by the Oregon Community Foundation will encourage generous individuals to consider us for their year-end giving.” Cunningham notes that Atelier26 always accepts tax-deductible donations of any size through its website.

Atelier26 is an independent publisher in Portland, Oregon that exists to demonstrate the powers and possibilities of literature through beautifully designed and expressive books that get people listening, talking, and exchanging ideas. Our recent release, People Like You by Margaret Malone, was named a 2016 PEN/Hemingway Award Finalist for Debut Fiction and was awarded the Balcones Fiction Prize.

The mission of The Oregon Community Foundation is to improve life in Oregon and promote effective philanthropy. OCF works with individuals, families, businesses and organizations to create charitable funds to support the community causes they care about. Through these funds OCF awards more than $60 million annually in grants and scholarships.The Foundation makes grants available through an application process that involves local citizens in the review and evaluation of requests for funds. Applications are available through the Foundation’s Portland office. Individuals or businesses interested in establishing a fund should visit www.oregoncf.org

www.Atelier26Books.com   |   Distributed to the trade by IPG/Small Press United
For more information, contact: M. Allen Cunningham, Publisher: atelier26books@gmail.com
or Diane Prokop, Publicist: atelier26books.publicity@gmail.com

Bibliomancy: Annie Dillard's The Writing Life


Bibliomancy collects insights and observations about the reading/writing life and life in the arts generally, words that could aptly describe the reasons Atelier26 exists.

"Why are we reading, if not in hope of beauty laid bare, life heightened and its deepest mystery probed? Can the writer isolate and vivify all in experience that most deeply engages our intellects and our hearts? Can the writer renew our hope for literary forms? Why are we reading if not in hope that the writer will magnify and dramatize our days, will illuminate and inspire us with wisdom, courage, and the possibility of meaningfulness, and will press upon our minds the deepest mysteries, so we may feel again their majesty and power? What do we ever know that is higher than that power which, from time to time, seizes our lives, and reveals us startlingly to ourselves as creatures set down here bewildered? Why does death so catch us by surprise, and why love? We still and always want waking. We should amass half-dressed in long lines like tribesmen and shake gourds at each other, to wake up; instead we watch television and miss the show."

From The Writing Life  by Annie Dillard, p.72
See also: Jeanette Winterson asks, "What Is Art For?"

Why We Publish

Take a look behind the scenes at Atelier26 Books. If you like what you see, consider making a tax-deductible donation. We've got many more fabulous projects in store for you.

Hey Northwest: Come See Us at Wordstock!


WORDSTOCK!
Saturday, Nov. 5th 2016
Portland Art Museum
9AM - 6PM

Visit the Atelier26 table!
We'll be in the Wordstock book fair selling books (many at a discount) all day! Pick up a copy of our newest title, Funny-Ass Thoreau, learn about our new Creative Writing Workshops, and see what else we've got!
Booth #4 
Kridel Grand Ballroom (2nd floor)
(We're sharing the tabletop with Portland's own fabulous Forest Avenue Press!)


Catch Atelier26 Author Margaret Malone! 

PEN/Hemingway Finalist Malone (People Like You) will offer a pop-up reading in the Portland Art Museum's Modern & Contemporary Art Gallery at 3:30 PM.

Shortly after her pop-up, Malone will join Ramona Ausubel, Jim Lynch, and Emma Straub for a reading and discussion. 
The Old Church, 5 - 6 PM

More info HERE



Join Atelier26 publisher M. Allen Cunningham's workshop, "Editing for Writers," 4 - 6 PM!
Learn the fundamentals of good editing as they apply to the writing and revision process, from the level of the line to broader structural concerns. Using numerous examples of early and late writing drafts, participants will gain experience focusing on editorial points both common and more complicated, with an eye toward tightening and sharpening our work before it arrives on an editor’s desk.

M. Allen Cunningham is the author of six books, including the #1 Indie Next Pick The Green Age of Asher Witherow (Unbridled Books, 2004) and a biographical novel about Rainer Maria Rilke entitled Lost Son(Unbridled Books, 2007). His work has appeared in many literary outlets including The Kenyon Review, Glimmer Train, Tin House, and Alaska Quarterly Review. Cunningham is the founder and publisher of the independent literary press Atelier26 and a contributing editor for Moss literary journal. Follow him on Twitter @m_a_cunningham.

More info HERE


Funny & Scrumptious!

"There is some advantage in being the humblest, cheapest, least dignified man in the village, so that the very stable boys shall damn you, Methinks I enjoy that advantage to an unusual extent."
-Henry David Thoreau, Journal, July 6, 1850

Funny-Ass Thoreau
is now in stock!
$15.00 paperback
Buy HERE



“Thoreau’s assault on the Concord society of the mid-nineteenth century has the quality of a modern western: he rides into the subject at top speed, shooting in all directions...and when the shooting dies down and the air clears, one is impressed chiefly by the courage of the rider and by how splendid it was that somebody should have ridden in there and raised all that ruckus.”—E.B. WHITE

“Thoreau defined his own position to the world not only with unflinching honesty, but with a glow of rapture at his heart. He seems to hug his own happiness.”—VIRGINIA WOOLF

“After reading Thoreau I felt how much I have lost by leaving nature out of my life.”F. SCOTT FITZGERALD

Malone in Manhattan, Thursday, October 13th!

October 13, 2016 > 7:00 - 9:00 p.m. > NEW YORK, NY
People Like You author 
Margaret Malone reads with Alexander Maksik, Tim Murphy, and Randa Jarrar at Behind the Book in NYC's KGB Bar

KGB Bar
85 E 4th Street
New York, NY 10003

Apply Now for Our New Round of Fall Workshops in Portland!

We're wrapping up our inaugural cycle of creative writing workshops next week. It's been a deep and enlivening experience of literary community, intensive critique, and inspiring reading and discussion. To join our next round, apply by October 12th!


"I'm loving the workshop! It's been incredibly helpful and I walk away from each session feeling inspired. Our classes are one of the best parts of my week."                                Alisha, Atelier26 Workshop Participant
Fall 2016
Call for Applications
Award-winning publisher Atelier26 Books announces its next round of creative writing workshops, to be held in Portland, Oregon beginning this November.

We’re accepting applications for this opportunity to explore and refine your writing in the context of a small, serious, and committed group of writers. The group (consisting of no more than 6 writers) will meet on Monday evenings for 6 weeks in southeast Portland.

The workshop will focus on fiction and creative nonfiction and be facilitated by author and Atelier26 editor M. Allen Cunningham.

See below for application deadline, eligibility, and price.

About the Workshop
This 6-week workshop will consist of 6 writers maximum, each selected through an application process. Participants will focus on shaping and sharpening their manuscripts with reference to the principles of effective and compelling creative writing. Each participant will share work and provide and receive feedback both written and verbal. Participants will hear their writing discussed, interpreted, analyzed, and constructively critiqued within a guided workshop format; they will receive written commentary and suggestions on the manuscript itself from the workshop participants and instructor; and they will offer all of the above to their peers.

Each writer can look forward to presenting their work twice within the six-week period. For the purposes of discussion, the workshop will include outside readings (supplied by the instructor).

*Individual Consultation Included: Within the 6-week run, each participant will have the opportunity to meet individually with the instructor for a 60-minute discussion of their work. 

About the Publisher
Atelier26 is the publisher of numerous books, including Margaret Malone’s People Like You (a 2016 PEN/Hemingway Award finalist and Balcones Fiction Prize winner) and Harriet Scott Chessman’s The Beauty of Ordinary Things (called “a song of the soul” by Foreword Reviews). Established in 2012, Atelier26 is dedicated to producing beautifully designed and expressive books that get people listening, talking, and sharing ideas. Atelier26 titles are distributed throughout North America by Independent Publishers Group.

About the Instructor
M. Allen Cunningham is the publisher of Atelier26 Books and brings a writer’s sensibility to the entire publishing process, from intensive editing to design and distribution. He is the author of six books, including The Green Age of Asher Witherow (Unbridled Books), which was named a #1 Indie Next Pick by the American Booksellers Association and was a finalist for the Indie Next Book of the Year Award; Lost Son (Unbridled Books), which was a Top Ten pick in the Oregonian; and The Honorable Obscurity Handbook: Solidarity & Sound Advice for Writers and Artists, which Cynthia Ozick calls “Ingenious…inspiring and inspiriting.” His short stories and essays have appeared in numerous outlets such as Glimmer Train, Tin House, The Kenyon Review, Alaska Quarterly Review, and Poets & Writers. He was a finalist for the 2014 Flann O’Brien Award and is the recipient of grants and fellowships from Literary Arts, The Oregon Arts Commission, the Regional Arts and Culture Council, and two residencies at Yaddo. He is a contributing editor at Moss Literary Magazine and a frequent public speaker on the subjects of writing, publishing, and literary culture.

Details
Location: Southeast Portland, OR

Inclusive dates: early-November to mid-December 2016 (one 6-week cycle) – Monday evenings, 2-3 hours per session

Tuition$240 ($40 per session) for newly accepted applicants / $210 ($35 per session) for continuing participants.
            Participants must sign up for the complete 6-week cycle. The balance will be payable (cash, check, or credit card) once a place in the workshop has been offered and accepted (week of October 17th), with a $75 portion of the full balance understood to be nonrefundable in the event of a participant’s cancellation.
            For continuing participants, credit cards are accepted through our shopAt the checkout, use promo code: CONTINUING

Eligibility: Applicants must be age 25 or older and committed to the rigors and disciplines of creative writing; prepared to provide and receive serious, well-considered and constructive criticism both spoken and written; and ready to participate in a literary discourse that will include the analysis of published texts (supplied by the instructor).
            Please note: Due to the reciprocal nature of the workshop, applicants should be prepared to attend all six sessions.

To apply: E-mail a simple cover letter indicating any prior workshop experience, along with a 5-page writing sample in your workshop genre of choice (fiction or creative nonfiction) to atelier26books@gmail.com. Questions? E-mail us.

Application closing date: Wednesday, October 12, 2016

Bibliomancy: David Shields Says, "Let Me Tell You What Your Book is About"


Bibliomancy collects insights and observations about the reading/writing life and life in the arts generally, words that could aptly describe the reasons Atelier26 exists.

"My impulse is always to push the book toward abstraction,
toward sadness, toward darkness, toward doubleness, toward seventeen types of ambiguity. I always try to read form as content, style as meaning. The book is always, in some sense, stutteringly, about its own language. I'm always framing myself and the author as the lone founts of dark wisdom; I'm always the exponent of airy despair; I never touch ground. Metaphysical is big. In my formulation, the subject of the book is never what it appears to be. I frequently say that the book is seen to be about X when really it's about Y. I always read the book as an allegory, as a disguised philosophical argument. Existence is frequently mentioned, as are human, animal, sex, fuck, and violence. I love the words powerfully and enormously and relentlessly and bottomlessly. I use investigation and exploration and excavation and examination and rigorous over and over. What would I do without mediation? There's always an implied love story between me and the writer -- me loving the book, loving the writer. Candor is key -- being willing to say what no one else is willing to say. The act of writing is inevitably viewed as an act of courage (brave is all over the place). Life's difficult, maybe even a drag; language is (slim) solace. No one else gets what you're doing; I alone get it. You and me, babe. Intimacy. Urgency. We alone get life. Let me explain your book -- the text -- to yourself. Let me tell you what your book is about. Life is shit. We are shit. This, alone, will save us -- this communication."  

From Reality Hunger by David Shields, section 587

See also: Harold Bloom on Reading as Listening

PNBA Booksellers: Meet 2016 PEN/Hemingway Award Finalist Margaret Malone in Tacoma

Sunday, October 2, 2016 > 10:00 - 11:30 a.m. TACOMA, WA
Margaret Malone signs copies of People Like You at the Pacific Northwest Booksellers Association Fall trade show. (IPG booth) #PNBA
Hotel Murano
1320 Broadway
Tacoma, WA



Pre-Order Yourself Some Funny Now

$15.00


Praise for Henry David Thoreau:


“Unique, original, comical, and highfalutin.”—The Eastern Argus, 1849

“Witty, sarcastic, and amusing.”—The Worcester Palladium, 1849

“Intellectual entertainment that should not be neglected.
—The Worcester Spy, 1849

“[Thoreau] was literally the most childlike, unconscious, and unblushing egotist it has ever been my fortune to encounter.”—HENRY JAMES, Sr.

“Thoreau defined his own position to the world not only with unflinching honesty, but with a glow of rapture at his heart. He seems to hug his own happiness.”—VIRGINIA WOOLF

“Thoreau’s assault on the Concord society of the mid-nineteenth century has the quality of a modern western: he rides into the subject at top speed, shooting in all directions...and when the shooting dies down and the air clears, one is impressed chiefly by the courage of the rider and by how splendid it was that somebody should have ridden in there and raised all that ruckus.”—E.B. WHITE

“If Henry Thoreau was a thorn-bush, he was the kind that bears the fragrant flowers.”—VAN WYCK BROOKS

Bibliomancy: Harold Bloom on Reading as Listening

Bibliomancy collects insights and observations about the reading/writing life and life in the arts generally, words that could aptly describe the reasons Atelier26 exists.

"I venture that it is impossible to listen to other people the way we listen to a very good book. Lyric poetry, at its strongest, teaches us how to talk to ourselves, rather than to others. The solitary reader may be a vanishing breed, but more than the enjoyment of solitude then will vanish also. The ultimate answer to the question 'Why read?' is that only deep, constant reading fully establishes and augments an autonomous self. Until you become yourself, what benefit can you be to others? I remember always the admonition of the sage Hillel, most humane of ancient rabbis: 'If I am not for me, then who will be for me? And if I am for myself only, then what am I? And if not now, when?' 

...[In books] characters meet other characters as we meet new persons, open to the disorders of discovery, and we need to be open to what we read, in a parallel way.

When you meet a new person, you are ill-advised to begin the acquaintance either with condescension or with fear. When you read even the most formidable literary work for a first time -- be it Dante's Divine Comedy or Henry James's The Wings of the Dove -- condescension or fear would destroy your understanding and your pleasure. Perhaps we all need initially to relax our will-to-power when we open a book. Such a will may return after we have immersed ourselves, and have given the writer every chance to usurp our attention. There are many different ways to read well, but all involve a receptivity in our attention. I have little understanding of Buddhism (my temperament being an impatient one), so Wordsworth's 'wise passivity' seems my best synonym for the kind of attention that good reading requires."

From Bloom's How to Read & Why (Scribner, 2000)
See also: "How Should One Read a Book?"

Bookshop Santa Cruz Staff Pick: People Like You


Atelier26 is proud to note that Margaret Malone's People Like You is a Staff Pick at Bookshop Santa Cruz, one of the finest independent booksellers on the west coast (see our earlier Featured Indie write-up about Bookshop Santa Cruz).

Many thanks to the Bookshop, and to bookseller Chorel, who writes: 
People Like You is, first and foremost, gorgeously written. Each page of the slim collection contains treasures of language that are a joy to behold, and Malone’s writing feels effortless even in its literary intensity. The stories all concern being stuck—in less-than-perfect relationships, addiction, infertility—and the characters struggle within a powerlessness that seeps onto the reader and troubles deeply. By the end, however, the recurring thread of one set of characters comes out on the other side, and hope is restored. I loved this book.

Apply Thyself!

Our August 20th deadline is fast approaching. That's four days left to apply thyself for this fun -- and FREE -- opportunity...


Call for Applications
Award-winning publisher Atelier26 Books announces its first creative writing workshops, to launch in Portland, Oregon this September.

For a limited time, we’re accepting applications for this FREE opportunity to explore and refine your writing in the context of a small, serious, and committed group of writers.

The first workshop will be multi-genre (fiction, creative nonfiction, poetry) and facilitated by author and Atelier26 editor M. Allen Cunningham.

About the Publisher
Atelier26 is the publisher of numerous books, including Margaret Malone’s People Like You (a 2016 PEN/Hemingway Award finalist and Balcones Fiction Prize winner) and Harriet Scott Chessman’s The Beauty of Ordinary Things (called “a song of the soul” by Foreword Reviews). Established in 2012, Atelier26 is dedicated to producing beautifully designed and expressive books that get people listening, talking, and sharing ideas. Atelier26 titles are distributed throughout North America by Independent Publishers Group.

Learn more...

This Fall, Meet the Philosopher of Walden Pond. All Over Again.

cover design by Nathan Shields
Atelier26 Books is delighted to announce the forthcoming publication of Funny-Ass Thoreau, scheduled for release in November 2016.

Appearing just ahead of the 2017 bicentennial of Henry David Thoreau's birth, Funny-Ass Thoreau is the premiere book of its kind, a collection of the famous (and famously "antisocial") author's most uproarious writing. Here's Thoreau in his own words as he tries to wrangle a pig, pees in the woods, loses a tooth, laughs at Emerson shooing off his own cow, observes the slippery slapstick of snowmelt and mud in the Concord streets, elaborates on his dislike of other men’s bowels, and more.

Edited and with an introduction by Atelier26 publisher M. Allen Cunningham, this hilarious compendium gives us, at long last, the so-called "hermit" of Walden Pond in marvelous display of his most underappreciated quality: his killer sense of humor. 
 
"I'm really proud to bring this book to readers," says Cunningham, who first traveled from his home on the Pacific coast to Concord, Massachusetts for an annual meeting of the Thoreau Society when he was nineteen years old. He has been reading Thoreau for twenty-five years. "Funny-Ass Thoreau adds something unique to our perspective on this writer's infinite genius. I can't describe what endless fun I've had digging deep into Thoreau's wit while compiling this collection. Readers will absolutely share that joy, and I'm especially keen on seeing the book catch on with people young and old who are new to Thoreau's work." 

With Funny-Ass Thoreau, Atelier26 inaugurates the Regeneration Series, a new line of titles dedicated to bringing the best of bygone literary voices back into currency through small, friendly, handsomely designed editions. Volume 2 in the series is already planned and will be announced soon.

Funny-Ass Thoreau will be distributed to the trade by Independent Publishers Group/Small Press United, available through all standard wholesale channels, and sold direct to readers through the Atelier26 web-store. Pre-orders open soon.

For more information, or to request a review copy, please contact Atelier26 Books at atelier26books [at] gmail [dot] com.

Atelier26 Books Inaugurates Creative Writing Workshops with Free Limited-time Offer


Call for Applications
Award-winning publisher Atelier26 Books announces its first creative writing workshops, to launch in Portland, Oregon this September.

For a limited time, we’re accepting applications for this FREE opportunity to explore and refine your writing in the context of a small, serious, and committed group of writers.

The first workshop will be multi-genre (fiction, creative nonfiction, poetry) and facilitated by author and Atelier26 editor M. Allen Cunningham.

About the Publisher
Atelier26 is the publisher of numerous books, including Margaret Malone’s People Like You (a 2016 PEN/Hemingway Award finalist and Balcones Fiction Prize winner) and Harriet Scott Chessman’s The Beauty of Ordinary Things (called “a song of the soul” by Foreword Reviews). Established in 2012, Atelier26 is dedicated to producing beautifully designed and expressive books that get people listening, talking, and sharing ideas. Atelier26 titles are distributed throughout North America by Independent Publishers Group.

About the Instructor
M. Allen Cunningham is the publisher of Atelier26 Books and brings a writer’s sensibility to the entire publishing process, from intensive editing to design and distribution. He is the author of six books, including The Green Age of Asher Witherow (Unbridled Books), which was named a #1 Indie Next Pick by the American Booksellers Association and was a finalist for the Indie Next Book of the Year Award; Lost Son (Unbridled Books), which was a Top Ten pick in the Oregonian; and The Honorable Obscurity Handbook: Solidarity & Sound Advice for Writers and Artists, which Cynthia Ozick calls “Ingenious…inspiring and inspiriting.” His short stories and essays have appeared in numerous outlets such as Glimmer Train, Tin House, The Kenyon Review, Alaska Quarterly Review, and Poets & Writers. He was a finalist for the 2014 Flann O’Brien Award and is the recipient of grants and fellowships from Literary Arts, The Oregon Arts Commission, the Regional Arts and Culture Council, and two residencies at Yaddo. He is a contributing editor at Moss Literary Magazine and a frequent public speaker on the subjects of writing, publishing, and literary culture.

About the Workshop
Over the course of this workshop, writers will focus on shaping and sharpening their manuscripts with reference to the principles of effective and compelling creative writing. Each participant will share work and provide and receive feedback both written and verbal. Participants will hear their writing discussed, interpreted, analyzed, and constructively critiqued within a guided workshop format; they will receive written commentary and suggestions on the manuscript itself from the workshop participants and instructor; and they will offer all of the above to their peers. For the purposes of discussion, the workshop will include outside readings (supplied by the instructor).

Location: Portland, OR

Inclusive dates: Mid-September to early-October 2016 (one 3-week cycle) – Monday evenings, 2-3 hours per session

Tuition: FREE to accepted applicants (workshop participants may have the opportunity to continue beyond 3 weeks at a reasonable per-cycle rate)

Eligibility: Applicants must be age 25 or older and committed to the rigors and disciplines of creative writing; prepared to provide and receive serious, well-considered and constructive criticism both spoken and written; and ready to participate in a literary discourse that will include the analysis of published texts (supplied by the instructor).

To apply: E-mail a simple cover letter indicating any prior workshop experience, along with a 5-page writing sample in your workshop genre of choice (fiction, creative nonfiction, or poetry) to atelier26books@gmail.com. Questions? E-mail us.

Application closing date: August 20, 2016

August 5-9, 2016: Three New England Appearances by Margaret Malone!

"The nine stories in Margaret Malone's People Like You constantly beguile and surprise. With Chekhov they share both compassion and brevity; they share with Carver and Beattie a confidence in the unforced sentiment of unadorned prose; and in their matter-of-fact humor, which is often laugh-out-loud funny, they tap a long tradition of American humorists stretching from Mark Twain to Lorrie Moore."
--PEN/Hemingway Award Finalist citation
(judges Joshua Ferris, Alexandra Marshall, and Jay Parini)

Winner of the Balcones Fiction Prize
Named a best book of the year by: 
The Oregonian
The Portland Mercury 
Powell's Books
The Quivering Pen

"I love this book beyond measure."
-CHERYL STRAYED 

Don't miss People Like You as Margaret Malone returns to New England for three distinctive events:

>August 5, 2016 / 7:00 p.m. > CAMBRIDGE, MA
Margaret Malone reads in the Dire Reading Series 
with writers Jane Liddle and Sandee Storey. 
The Out of the Blue Gallery Too 
541 Massachusetts Avenue
Cambridge, MA 02139
 


>August 8, 2016 / 7:00 p.m. > CAMBRIDGE, MA
Margaret Malone reads and signs copies of 2016 PEN/Hemingway Debut Fiction Award finalist People Like You. This is a special joint appearance with Chris McCormick, author of Desert Boys, in partnership with GrubStreet.
Harvard Book Store
1256 Massachusetts Ave
Cambridge, MA 02138 
Facebook Event Page


>August 9, 2016 / 7:00 p.m. > MADISON, CT
Margaret Malone reads and signs copies of 2016 PEN/Hemingway Debut Fiction Award finalist People Like You.
RJ Julia Booksellers

768 Boston Post Rd.
Madison, CT 06443   
Facebook Event Page 





People Like You book trailer from Brian Padian on Vimeo.